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The various meter displays in Insight 2 show how your mixing choices affect the final loudness of your project. It’s important to note that the output of this submaster doesn’t lead anywhere, as the intent is not to double the dialogue’s presence in the final mix-this channel exists purely for metering purposes. We’ve also routed the dialogue to its own submaster-also equipped with Insight 2-for an isolated level readout of the actors’ voices. In this session, we have a summed submaster channel for each type of production audio: dialogue, music, Foley, sound effects, and background. ![]() ![]() Not only does it promote sensible track groupings, but it also gives you an additional layer of gain staging opportunities to make intelligent and informed mix decisions. Summing your tracks to VCAs, or “submasters” is a great way to organize your session and control your mix. ![]() With so many different audio elements to manage, you’ll save yourself endless headaches by checking your project’s tidiness and efficiency. Organization is key in any mixing session, but it’s especially critical in a post-production mixing scenario.
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